Monitoring & Headphones

• Barefoot Footprint 01
• Yamaha NS-10M
• Cranborne N22H + N8
• Audeze LCD-2
• Beyerdynamic DT770
• Sennheriser HD 280 Pro
• AKG K52

Interface & I/O

• 24 Inputs & 20 Outputs
• RME Fireface UFX+
• Ferrofish Pulse 16 (ADAT)

D.A.W

• Ableton Live 12 Suite
• Pro Tools Studio
• Logic Pro
• FL Studio 25
• Reaper

Preamps

• Focusrite ISA 428 MkII
• Locomotive Audio Model 40AM-2
• Universal Audio LA-610 MkII
• Chandler Limited Germanium 500 MkII
• Great River 500NV [x2]
• Cranborne Camden 500 [x2]
• Yamaha M406 [6 Channels]
• Lauren Audio Panther
• RME Fireface UFX+ Mic Pres [x4]
• Alctron MP73X2 [x2]

EQs

• Audioscape EQP-A
• Maag EQ2 [x2]
• Mother VIVID [x2]
• SPL Vitalizer Mk3-T
• SSL E-Series Mk2 [x2]
• Trident 80B [x2]

Dynamics

• Lisson Grove R-124
• API 2500 Bus Compressor
• Audioscape Opto (LA-2A)
• Audioscape V3A (LA-3A) [x2]
• Audioscape 76A (1176 Rev A)
• Warm Audio Bus Comp
• Warm Audio WA-76
• DBX 560A [x2]
• ART Pro VLA II (with Mullard NOS tubes)

Summing & Tape

• Yamaha M406
• Teac A2300SX reel-to-reel
• Handsome Audio Zulu 500 [x2]

• Neumann U87 Ai
• Soyuz 017 FET
• Soyuz 023 Bomblet
• Soyuz 013 FET [x2]
• Soyuz V1 Dynamic
• Coles 4038 [x2]
• AKG C414 XLII [x2]
• AKG C214
• BeesNeez ‘Oliver’ Tube Condenser
• Electro-Voice RE20
• Sennheiser MD421 [x3]
• Shure SM7B
• Shure SM57 [x3]
• sE Electronics 2200
• sE Electronics X1 x2
• Alctron R77 Active Ribbon
• Alctron T8700II

Instruments

• 1927 Julius Blüthner Upright Piano
• Fender American Standard Stratocaster
• Fender American Standard Jazz Bass
• Cole Clark Fat Lady (Custom)

Synths

• U.D.O Super 6 Desktop
• ASM Hydrasynth

Pedals

• Chase Bliss Generation Loss Mk2
• Meris Mercury 7 Reverb
• Fulltone OCD V1.4
• Walrus Audio MAKO Series M1 Mk2
• Eventide MicroPitch
• EHX Big Muff
• ProCo RAT
• OBNE Parting
• Electro Harmonix POG2
• TC Electronic GAUSS Tape Echo
• Cusack Music Tap-A-Delay Deluxe
• Keeley Electronics Synth-1
• MXR Bass Envelope Filter

• Our preference is to have a quick chat before booking in your first session.
  
  For recording sessions, we'll usually give you access to an online booking link once we've had a chat, and from there, you'll be able to see recording availability and book whenever you'd like.
  
  All our recording bookings are pre-paid, and any additional time is invoiced after the session. For other services like mixing or production, we require a 50% deposit before beginning, and the rest is only due once everyone's happy with the result. Files are usually sent for review throughout the process, and downloadable once everything is done and dusted!
  
  Get in touch for a free meet (either via call or in-person) to talk through the best process for your specific project.

• We can often help see a music or audio related project through from beginning to end, either in-house, or bringing in any necessary combination of producers, engineers or session musicians.
  
  Ultimately, we deal with audio and music, but if your project needs a visual element (or other elements), we can often tap into our network; either bringing them in on the project and managing the process for you, or simply helping connect you with the right people to make sure the end result is the best it can possibly be.
  
  One note: we aren't a rehearsal space, and don't currently offer that service, but can point you in the right direction.

• We aim to be as music-focused as possible, rather than genre specific at Lake City. We strongly believe that good music is simply good music.
  
  Our engineers and producers allow us to have a large range of expertise and ability to execute on a tonne of genres and styles, and across a range of experience, from first time music creators to well established global artists.

• We offer a wide range of services within music creation and audio work, so our prices reflect that range.
  
  
  The pricing will depend on what you're trying to achieve, and with which expierience-level of engineer or producer best fits (or whoever you might like to work with, specifically).
  
  For large projects, or projects with a lot of components, we're usually happy to offer custom packages, specifically tailored to you and what you're trying to achieve.

• The studio is available for dry hires by freelance engineers, producers, and artists. It can be hired either per hour, or per day (10hrs).
  
  Dry hires are a great way to access the studio on your own, or with your own engineer. Our space is often used by producers and engineers who are keen to access a quality space to test mixes, record, run their own sessions or generally work on their own projects.
  
  You can use our studio computer, or bring your own. Personal computers can be connected to our system through an aux cable for basic monitoring, or full integration for access to all aspects of the studio, patchbay and gear.
  
  Depending on your use-case and experience, we offer a range of inductions, from our basic 30 minute induction through to comprehensinve lessons on how to make the most of the space. All dry hire bookers will need to be properly vetted by one of our team before any access is given.
  
  
  Feel free to get in contact to ask about the process for dry hires.

• We offer limited slots for work experience and it usually comes down to luck in terms of when we take them on.
  
  Because of the amount of work experience requests we get vs our capacity, we've deleloped a 'paid placement' option alongside our work experience slots.
  
  Get in contact with us to find out more about either our work experience, or paid placement.

• We don't do any formal courses, but will often create custom one-to-one lessons built for whatever goal you have in mind.
  
  Our area of expertise is usually based around mixing, production, recording, and general studio experience.
  
  We don't do lessons on specific instruments (eg. piano lessons), although we may be able to point you in the right direction.